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Zonas de Transição
17/10/2023Transition Zones – Works from the PLMJ Foundation Collection
Torreão Nascente da Cordoaria Nacional (TNCN).A joint initiative with EGEAC and the Municipal Galleries of Lisbon, this exhibition brings together around 150 works by more than 90 artists represented in the PLMJ Foundation’s collection, with a particular focus on the last 15 years. With this exhibition, we want to share part of the history of the collection, celebrate art and artists, and reaffirm our commitment to culture and the community.
Curated by João Silvério, Transition Zones (Zonas de transição) is an exhibition project that presents a broad vision of the PLMJ Foundation’s collection. The collection began in 2001 and covers a period of more than four decades of artistic production from the world of the Community of Portuguese Speaking Countries (CPLP). The selection includes artists of different generations and from different countries, from areas of the collection such as painting, drawing, artist’s book, sculpture, installation, photography and video, the latter two being central to the development of the collection. The design and organisation of the exhibition pay particular attention to themes such as the representation of the body, architecture and the written word, in a meeting of territories and aesthetic, poetic and political imaginaries that characterise the collection.
Artists represented in the exhibition
Adriana Molder; Albano Silva Pereira; Alice Geirinhas; Ana Jotta; Ana Manso; AnaMary Bilbao; Ana Vidigal; Ana Pérez-Quiroga; André Cepeda; André Gomes; Ângela Ferreira; António Júlio Duarte; António Olaio; Armanda Duarte; Augusto Brázio; Bruno Pacheco; Carla Cruz; Carlos Bunga; Carlos Correia; Cecília Costa; Daniel Blaufuks; Espacialistas + Gonçalo M. Tavares; Fátima Mendonça; Felipe Barbosa; Fernão Cruz; Fernanda Fragateiro; Filipa César; Francisco Queirós; Gabriela Noujaim; Gonçalo Barreiros; Gonçalo Mabunda; Helena Almeida; Horácio Frutuoso; Isabel Baraona; Isabel Madureira Andrade; Isabel Simões; Jéssica Gaspar; João Galrão; João Louro; João Maria Gusmão e Pedro Paiva; João Onofre; João Paulo Feliciano; João Pedro Vale e Nuno Alexandre Ferreira; João Penalva; Jorge Dias; Jorge Molder; José Loureiro; José Maçãs de Carvalho; José Pedro Croft; Julião Sarmento; Kiluanji Kia Henda; Kester; Lino Damião; Luísa Cunha; Maimuna Adam; Mafalda Santos; Manuel Botelho; Manuel Rosa; Maria José Cavaco; Mariana Gomes; Maria Durão; Maria Oliveira; Márcio Carvalho; Marta Soares; Mauro Cerqueira; Mauro Pinto; Miguel Ângelo Rocha; Miguel António Domingues; Miguel Palma; Mónica de Miranda; Noé Sendas; Nú Barreto; Nuno Cera; Nuno Sousa Vieira; Paulo Brighenti; Paulo Kapela; Paulo Catrica; Paulo Quintas; Pedro Alfacinha; Pedro Barateiro; Pedro Cabrita Reis; Pedro Calapez; Pedro Casqueiro; Pedro Gomes; Pedro Valdez Cardoso; Pedro Vaz; Rui Calçada Bastos; René Tavares; Ricardo Jacinto; Rita Gaspar Vieira; Rita GT; Rodrigo Oliveira; Rosana Ricalde; Rui Chafes; Rui Sanches; Sara Bichão; Susana Mendes Silva; Susanne Themlitz; Thandi Pinto; Tito Mouraz; Vasco Araújo; Vasco Barata; Vera Mota; Yonamine. -
Superfície – Extéril
07/10/2023 -
Mupi Gallery
07/07/2023Carla Cruz | The first step out of a hole is to stop digging
Cycle “Da DERIVA” curated by João Baeta – Saco Azul
Openning: 26.06.2023 (THU), 6.30pm
Until: 26.07.2023
End of the month, end of the world. The same struggle.
Bifo Berardi provokes:
Radicalism should abandon the mode of activism, and adopt a passive mode.We have been working too much over the past three or four centuries, and outrageously too much over the last thirty years.. If a creative consciousness of exhaustion could arise, the current depression may mark the beginning of a massive abandonment of competition, the consumerist drive and dependence on work.
The first step out of a hole is to stop digging.
Suely Rolnik encourages:
We must not wait for the messianic arrival of the revolution, but constantly implicate ourselves in a heterogenous multiplication of revolutionary micropolitical processes. It is necessary to resist the colonial-capitalist desire in ourselves. We must take responsibility for ourselves as living beings and fight for the re-appropriation of the powers of creation and cooperation and for the construction of the common that depends on it.
Under the cobblestones, the beach!
Carla Cruz is an artist, researcher and professor at EAAD-UMinho. Since 2007, she mobilizes with Ângelo Ferreira de Sousa the Associação de Amigos da Praça do Anjo that discusses the right to the city for all; since 2019 she dynamizes the study group Leituras Feministas (i2ADS) that seeks tactics to depatriarchalize and decolonize life and the arts; and since 2020 she develops a speculative artistic project on non-human temporalities with Claudia Lopes.
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